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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oral History Collection</text>
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                <text>&lt;p&gt;A collection of sound files, transcribed oral interviews, and images documenting Black radio in Birmingham, Alabama. Please click the link below.&lt;b&gt;&lt;/b&gt;&lt;/p&gt;</text>
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                <text>Bob Friedman</text>
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                <text>All Rights held by The Birmingham Black Radio Museum unless otherwise specified.</text>
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                <text>Bob Friedman</text>
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                <text>Emily Bibb</text>
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                <text>and numerous student volunteers</text>
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    <name>Oral History</name>
    <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <name>Interviewer</name>
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            <text>Roscoe Robinson</text>
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        <name>Location</name>
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            <text>Transcript of Audio Snippet:&#13;
&#13;
Bob Friedman: So stuff is happening in Birmingham, Alabama. And different places out – Where were you while all this fervor is going on? The Children’s March, the bombings, all that – &#13;
&#13;
Roscoe Robinson: Well, I came here, (Birmingham) I think it was in ’63 or ’64. I’m trying to think of the reverend’s name that had the church here that passed… What was his name?&#13;
&#13;
BF: You don’t mean Shuttlesworth? You don’t mean Reverend Shuttlesworth?&#13;
&#13;
RR: Yeah, Reverend Shuttlesworth. I did some things for him. And also, they had a guy, a preacher, that was affiliated with the march...was named Reverend… I think it was Reverend Owens, I think his name was Owens... And he booked us, booked me, quite a few places. &#13;
&#13;
BF: When you say booked you, you mean the Five Blind Boys? &#13;
&#13;
RR: No, Me!   I wasn't with the Blind Boys.&#13;
&#13;
BF: Oh okay. So what happened? How’d you lose the Blind Boys? &#13;
&#13;
RR: Well see now this – you’re going to go into – It’s a long story; I’m trying to dodge it. You want to hear?&#13;
&#13;
BF: Well, yeah. Sure. &#13;
&#13;
RR: How I left the Blind Boys was: the contract was up with Peacock and I went to Mr. Robey and I said, “Man, we need a car and we need some clothes.” And he said, “Well man, the record ain’t...stopped selling and....” I said, “Man, Sending Up My Timber was the biggest thing going on with any group, anywhere. You don’t have to tell me. I know about it.” Well, he said, “We can’t do nothing about it.” So I said, “Okay, Archie said the contract would be up in another two weeks or three weeks.” I said, “When it’s up I ain’t gonna sign.” Well it’s all right with me. So, we kept on and the contract was up and we did a show in Houston. Don Robey came up and said, “Hey man, I heard you all had signed with Chess.” I said, “Yeah. We signed with Chess.” I knew Leonard Chess and Phil Chess from R&amp;B and blues singers, but not from gospel. So I had talked to Leonard, and Leonard said, “Hey man, okay.” And I said, “Okay we’ll think about it.”&#13;
&#13;
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            <text>Full Interview: 01:28:05&#13;
Audio Snippet: 2 minutes</text>
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              <text>Roscoe Robinson (May 22, 1928 - February 26, 2026) Roscoe Robinson, sometimes called "Scoe" is continuing to sing and record at 92.  Born in Dermott, Arkansas to a musical family, Robinson's father was a minister and his mother sang spirituals and he had sisters, one of whom taught music, and thus began a long and ongoing career in the gospel field joined in the 1960's with a parallel career in RnB. Roscoe was 90 at the time of this interview - recorded in his home in Birmingham - and yet, he paints a vivid picture of his time in many cities and with many gospel quartets as well as offering insights into the recording industry of his time.&#13;
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              <text>September 20, 2018</text>
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              <text>Tabor Chapman</text>
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